MIDI

Unlike audio protocols that transmit sound waves, MIDI carries event messages—instructions about what to play, how to play it, and when. These messages include:

• Note On/Off: Triggers a note (e.g., "play middle C") and stops it.
• Velocity: Indicates how hard a note is struck (volume or intensity, typically 0-127).
• Pitch Bend: Adjusts a note’s pitch in real-time.
• Control Change (CC): Modifies parameters like volume, pan, or modulation (e.g., CC#7 for volume).
• Program Change: Switches instrument sounds (e.g., from piano to violin).

MIDI doesn’t contain audio data; it’s a set of commands that a synthesizer, sampler, or software interprets to generate sound. This makes MIDI files tiny compared to audio files—think kilobytes versus megabytes.

A MIDI message is typically 1-3 bytes long:

• Status Byte: Defines the message type (e.g., Note On) and channel (1-16).
• Data Bytes: Provide specifics (e.g., note number, velocity).

The 16-channel system lets one controller command multiple devices or voices independently. For example, Channel 1 could trigger a drum kit while Channel 2 plays a bassline.

The data is transferred at 31250 bits per second, using 8-N-1 format (one start bit, eight data bits, no parity bit, and one stop bit). So far, the MIDI protocol is much similar to RS232, and many MIDI interfaces do actually use standard "RS232" UART chips. Differences to RS232 are:

• The signals are transmitted as TTL levels (0V and 5V) (unlike +/-12V on RS232) with 5V reference voltage (unlike 0V on RS232)
• The receiver should pass the TTL signal through an Opto-Isolator
• The 31250 Hz baudrate isn't a standard RS232 rate
• MIDI is one-directional (MIDI OUT implements only TX, no RX, and MIDI IN implements only RX, no TX)
• There are no control signals like CTS/RTS/DSR/DTR used

The standard in MIDI interface was the MPU-401, first introduced as a standalone hardware by Roland in 1984, and then integrated into PC soundcards.

The MPU-401 had 2 modes:

• In UART mode, it acted as any other MIDI interface, passing MIDI data between the computer and external MIDI devices
• In intelligent mode, the PC offloaded the MIDI playback task to the interface, freeing the PC to do other tasks while the music was playing

• DHCP MIDI Interface (DHCP Electronics)
• EMR MIDI Interface (MIDI) (ElectroMusic Research)
• LambdaSpeak (III and LS)
• Music Machine (Sampling/Playback/MIDI) (RAM Electronics)
• Silicon Systems MIDI Interface
• Mini Interface for connection to MK5 MIDI Keyboard
• DIY MIDI Interface from CPCAI magazine
• DIY MIDI Interface from CPCinfos magazine by Thierry MANGION, port &FAF0 [1]

• Foundation Multi-Track Step Time Sequencer (Foundation Software)
• EMR Miditrack Performer (ElectroMusic Research)

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  Amstrad Computer User reviews MIDI on CPC (page 1/3)

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  Amstrad Computer User reviews MIDI on CPC (page 2/3)

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  Amstrad Computer User reviews MIDI on CPC (page 3/3)

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  CPC Amstrad International 2/1987 reviews MIDI on CPC (pages 16-22)

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  CPC Amstrad International 2/1987 published a DIY MIDI interface & software for CPC (pages 24-31)

General MIDI (GM) is a standardized specification for electronic musical instruments and synthesizers, introduced in 1991 by the MIDI Manufacturers Association and the Japan MIDI Standards Committee.

General MIDI aimed to ensure consistency across devices by defining a uniform set of 128 instrument sounds (called "patches"), organized in a specific program change order:

This allowed musicians and composers to create music that would sound reasonably similar on any GM-compliant device, solving the patchwork compatibility issues of early MIDI systems.

General MIDI largely superseded the previous Roland MT-32 de-facto standard and quickly became foundational in music production, video game soundtracks, and consumer electronics.

• http://www.midi.org/ - MIDI Manufacturers Association (MMA)
• http://en.wikipedia.org/wiki/MIDI_1.0 - wikipedia on MIDI 1.0
• http://en.wikipedia.org/wiki/Musical_Instrument_Digital_Interface - wikipedia on MIDI in general